Who gets to be funny and who gets made fun of? Americans never get tired of that question. At least, we Americans in the think-piece-writing business don’t. Are women funny? Are fat jokes cruel playground humor or legitimate satire in an increasingly unfit culture? Did that comic you’ve never heard of before go too far on that talk show you never watch? Is that black comic who puts on a dress funny, or a demeaning Jim Crow minstrel? Is there such a thing as a man telling a funny rape joke, and if so, why hasn’t it been written yet?
- print • Feb/Mar 2014
- print • Feb/Mar 2013
Milton Friedman. In the 1970s and ’80s, the world’s most advanced economies were reconstructed on the basis of principles that had until recently been thought the “prattle of outmoded cranks,” as the Johns Hopkins historian Angus Burgin puts it. But the cranks had a point, and in The Great Persuasion, Burgin gives a sympathetic account […]
- print • Feb/Mar 2013
“Nude face-eating cannibal?” Carl Hiaasen wrote last year, when the infamous video surfaced. “Must be Miami.”
- print • Dec/Jan 2014
Henri Lefebvre’s notion of “Revolution as Festival,” which the great French political thinker developed in his account of popular uprisings of the twentieth century, continues to inspire today’s global Left and its ideas of “people power.” Cultural theorist Gavin Grindon cannily sees this vernacular spirit of celebration in “the global cycle of social struggles since the 1990s, from Reclaim the Streets to the Seattle World Trade Organization Csarnival Against Capitalism, Euromayday and Climate Camp to Occupy’s Debt Jubilee.” And this same narrative—which at times approached a shared, lived reality—informed many domestic and international perceptions of the early “Arab Spring” uprisings
- print • Dec/Jan 2014
The Everything Store, Brad Stone’s reverential biography of Amazon founder Jeff Bezos, isn’t a book you should feel obliged to read. It doesn’t bristle with character development, narrative arc, or unexpected lessons. To be sure, Stone, a tech correspondent for Bloomberg Businessweek, gamely plays up minor dramas and speed bumps that studded Amazon’s path: the stock price dipping and soaring; sagas of hiring and firing; battles over how to phrase direct-marketing e-mails or whether to offer free shipping. But we all know where that path is heading: world domination. Almost two decades after its fledgling, janky website went live, Amazon
- review • December 5, 2013
Unbalanced tokens, check your syntax. Non-closure is at the end of this excerpt: exander Nazarya131 both published mea culpas for much of their negative book reviewing.107108
- print • Sept/Oct/Nov 2013
I’m so pissed off after reading these books I can hardly type. But my ire begins with baseball—and the same is true for Andrew Bacevich, a retired Army colonel who lost a son in Iraq.
- print • Sept/Oct/Nov 2013
“This is not a novel,” says Poul Hannover, witness to this amazing story of the Holocaust. “No fancy trimmings.”
- print • Sept/Oct/Nov 2013
In our unstable neoliberal world, the venerable social ideal of equality is perhaps the most precarious commodity of all. To be sure, evidence of its absence abounds—in the casual enclosure and systematic auctioning of once-public goods, in the gaudy bailouts of our nonproductive financial sector, in the riotous indulgences of the 1 percent and the gnawing penury of the 99. And as the sphere of its exercise has narrowed to the vanishing point, equality seems to have been downgraded into the great dirty secret of our public life—only in contrast to the old Potter Stewart saw, fewer and fewer of
- print • Sept/Oct/Nov 2013
At one point in Five Days at Memorial, Sheri Fink’s elaborately researched chronicle of life, death, and the choices in between at a New Orleans hospital immediately following Hurricane Katrina, hospital staffers begin, inevitably, to imagine how the made-for-TV movie of their ordeal would be cast. A nurse named Budo, “dark-haired with a heart-shaped face and thick eyebrows, said she wanted Demi Moore to play her. Her longtime colleague on the night shift, Cheri Landry, short and stout, with hooded eyes, arched brows, and an air of wisdom, would be portrayed by Kathy Bates.”
- print • Sept/Oct/Nov 2013
The conservative counterrevolution in American politics has its roots, so the story goes, in a broad-based revulsion at the radical excesses and battles of the 1960s. That long right-wing ascendancy continues today in free-market supremacy and hyperindividualism: in sum, a wholesale repudiation of ’60s-movement values. This plot has become the conventional account of the era. Like any master narrative, though, it doesn’t tell the whole story.
- print • Sept/Oct/Nov 2013
A decade ago, Sudhir Venkatesh inspired the insular world of academic sociology with American Project, his closely observed ethnography of the Robert Taylor Homes in Chicago. Venkatesh’s hard-fought insider access was hugely impressive: As he labored for years in the sprawling public-housing project, Venkatesh took participant observation to new heights, documenting the complex social networks that governed life in the Taylor homes.
- print • Sept/Oct/Nov 2012
Among the course offerings announced by the University of Michigan in the fall of 2000 was an undergraduate English seminar titled “How to Be Gay.” Led by professor David M. Halperin, a well-known figure in queer studies, the class proposed to examine the Lavender Canon in all its mincing flamboyance: Judy and Liza, opera and Broadway, divas and drag, muscle queens and Mommie Dearest. “Are there,” Halperin asked, “a number of classically ‘gay’ works such that, despite changing tastes and generations, ALL gay men, of whatever class, race, or ethnicity, need to know them, in order to be gay?” Oooh
- print • Sept/Oct/Nov 2013
As I sit down to write, it’s roughly day 3 of the Washington political class’s overheated response to the release of Mark Leibovich’s This Town, and day 800 or so of what that class regards as the real story: the chatterbox narrative surrounding Mark Leibovich’s This Town. Politico has come forward with its latest report on the surveillance data it’s been collecting on all things “Leibo,” as the rag calls him. Glancing over the dispatch, it’s clear that the crucial question on Washington’s mind is this: Will this saboteur—who has courted no end of damning disclosures from his sources via
- print • Sept/Oct/Nov 2013
From the beginning of the South Asian crisis that culminated in the birth of Bangladesh in 1971, argues Gary J. Bass in this impressively researched book about a “forgotten genocide,” the major responsibility for what happened falls on two men—Richard Nixon and Henry Kissinger. While the president and national-security adviser directly collaborated in the secret bombing that touched off another genocide in Cambodia, the Bangladeshi crisis was more a study in conventional Cold War intrigues and personal piques than the Cambodia bombing had been—one reason, perhaps, that the full details of the US response are only now coming to light.
- print • Sept/Oct/Nov 2012
IN 1983, ARTIST SOPHIE CALLE found an address book on a Paris street. Before returning it, she photocopied its contents, called the people listed, and asked to interview them about the book’s owner, whom she calls Pierre D. “I will try to discover who he is without ever meeting him,” she writes. Calle’s pursuit struck […]
- print • Sept/Oct/Nov 2012
Singer and guitarist Chuck Brown invented go-go music in mid-’70s Washington, DC; it was an infectious blend of funk, Latin rhythms, and audience call-and-response that became the sound of African-American DC for decades. By the time of Brown’s death in May at age seventy-five, he had become the undisputed godfather of the genre, and a civic icon, even though go-go never found much of an audience outside the capital city. At Brown’s funeral, DC Council chairman Kwame Brown (no relation) began his eulogy in a defiant tone. “I am go-go,” he declared. “To the media, you better get that right.
- print • Sept/Oct/Nov 2012
IF YOU DRIVE ACROSS the US or even anywhere outside the I-95 corridor, you discover that country music dominates the airwaves. New Mexico, Maine, or Montana—regardless of region, the radio twangs in tones redolent of Butcher Hollow, Kentucky. Country music is without a doubt this country’s music. Its cultural associations—the clothes, attitudes, and politics—also hold […]
- print • Sept/Oct/Nov 2012
Francis Alÿs, When Faith Moves Mountains, 2002. It goes by several names and takes a range of forms, but as with so many protean phenomena, we know it when we see it. Participation-based art, social engagement, social practice: Art that takes relations between people as its medium is currently ascendant, with specialized MFA programs, new […]
- print • Sept/Oct/Nov 2012
Seven years ago, trying to decide between two book topics, I was spending half my time interviewing magicians and going to magic shows and the other half interviewing shoplifters and going to shoplifting-addiction groups. But then came a moment when I began to wonder whether magic was a good subject for me: I was sitting with a magician—white and middle-aged, like so many are—in a coffee shop on the Upper East Side. When I asked how he had done a card trick in a show I had seen the previous night, he glared at me for a long moment. I